I'm not going to write a normal review of this as I think Giles Coren hit all the important points in an an article the Times declined to print and which is available on his wife's blog. As I yawned my way through this remarkably pace-less, tension-less film,
this is what was going through my mind:
I'm suggesting that this film tells us more about the public acceptability of legitimised versus unregulated violence than it does about perverse cocktail-preparation techniques. Perhaps next time we consider the conflict between Israel and Hamas we should think about why Bond is so widely loved and Bateman derided?
Also: apologies for the 'Sans. It's used ironically.
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